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I'M GLOBAL ROAMING AGAIN!

20/5/2017

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It's been an eventful few months since my last post and much has been achieved. We bought a lovely 4-bedroom house with a 2 bedroom cottage in Ohakune and spent all of March and April fitting it out for renting. We had to work pretty much from scratch after selling off all our old furniture when we sold the Auckland house, and we combed the lower North Island for bargains both new and used. We scored an elegant 10-seater dining table and chairs from Wellington, a brand-new lounge suite from Taupo, whiteware from Palmerston North, and ran riot in K-Mart finding colourful designer items to pull the look together.  You can see the results in our Bachcare listings here.  bachcare.co.nz/4631  Both house and cottage are available throughout the year, separately or together. The ski season is about to kick off on June 3rd so bookings are filling up fast. ​
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It felt strange to leave everything behind in Bachcare's capable hands and drive ourselves to Auckland this week, and it was another flurry of activity to get the motorhome ready for renting out through Mighway, but we got it all done in time. We were broken shells of people and on our knees by the end, but kind friends took care of us and got us to the airport on Sunday. (Here's the motorhome listing -  https://app.mighway.com/listings/PSMnbf97yQZMvznWW  It was a much better option than paying to store it, and we'll have it available to live in when we return in October.)

So now we're relaxing in Canada, waiting another 2 weeks to get our boat back in the water and continue the journey along the Trent-Severn waterway when it reopens after the spring meltwaters go down. Right now stretches of river that were calm and mirror-smooth last summer are foam-capped, raging torrents! We're happy to wait until conditions are a little less challenging.

Although when have we ever done anything that wasn't challenging! Watch this space...
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writers and their terroir

15/1/2017

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​Recently I’ve been driving round several parts of the North Island and the pleasure of exploration has been enhanced by visiting areas where several of my favourite books were set.  Like wine makers, I think some writers have their own terroir – a deep personal knowledge of their settings that adds immeasurably to the flavour of their writing.
When travelling along the Kaipara Harbour I had the joy of recognising Jean Louise Allen’s territory –  the Northern Wairoa river that runs like an artery through all her books and stories. The whisper of wavelets on mudflats, the tide gurgling among the mangroves, the scent of sun-warmed jetties – all felt familiar from Bitty by the River, River at War, and River, River. Her books are set in a simpler age when lives were entwined with nature and hardships were faced with courage.
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​Nearby, spending a few days in Tinopai, I was reminded of Ines Helberg’s heart-filling novel A Tumble and a Litre of Milk. I found myself looking for the grocery store and the big house on the hill, quite forgetting it was fiction.
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​Further up the island and into the wilder parts of Northland I recognised the flavour of Peter Rankin’s thriller Stealing the Trees, where his main character wants to live a quiet rural life but finds himself mixed up in murder and kidnapping out in the bush. The scent of crushed manuka and a fresh breeze from the sea give the story a sense of place that anchors it firmly in its setting.
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​I even found a historical homestead way up the North Cape that any colonial heroine would have felt at home in, like brave young Brigid in Vicky Adin’s novel The Girl from County Clare, making a new home in New Zealand after sailing halfway around the world. The white picket fence and roses, the shady veranda, and the rich timber floors felt perfectly familiar from Vicky’s detailed descriptions of houses of that era.
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​Right at the very tip of Cape Reinga, if you look to the right (past the teeming hordes of tourists), you may be able to see Kerr Point - named for Thomas Kerr featured in Jean Day's non-fiction book The Search for Thomas Kerr, which is a fascinating insight into a man who lived several lives' in his careers of mapmaker, missionary and meteorologist.
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​I’m very much setting-driven in my own writing, especially my crime novels, and have a tendency to look at places with an eye for murder and mayhem. A tense scene in Eye for an Eye came from working in a dark photographic studio in Toronto, and the Theatre Mysteries Murder in the Second Row and Body on the Stage would never have been written without a detailed knowledge of the old Theatre Royal in Nelson.
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Have you found books that transported you to places so well you felt you’d been there? Which writers have succeeded in mastering their terroir and taking you there?

​Signing off from a wild campsite at the easternmost part of New Zealand, 15th January.
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fail but blog anyway!

9/1/2017

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Well dear readers, since I seem to have brought myself to a standstill for almost a year by trying to write the perfect series of blog posts, I’m going to quit stalling and just post little items of interest as we travel instead.

To explain the situation so far… in the previous post, Blogging and the Fear of Failure, we were about to sell our house after long and exhausting renovations, and were uncertain if our massive gamble would work out. Short answer – yes and no. The house did sell, and for a fair price – just not as much as we’d hoped for so at the time it felt like a huge failure. Our wild dreams had to be trimmed back, but once we started to move ahead the heartbreak of the house auction soon faded.
We flew to Canada where my husband has family in Ontario with the plan of buying a cruiser to travel the Trent-Severn waterway from Lake Ontario to Lake Huron – something we’ve been hoping to do since our honeymoon in 1981. Yes, it has taken a while! It took two months to buy a boat and we spent two months travelling the waterways before the season ended and we stored the boat for winter halfway along the canal. The plan is to return in May 2017 and complete the journey.

So back in New Zealand in October with nowhere to live, we bought a motorhome (RV) so we had a base to explore other options for property-buying, income opportunities etc. As I write we are in the process of buying a house and cottage in the Mount Ruapehu ski area which will earn maximum rental in the winter while we’re away. Ohakune is a delightful ski town in the middle of the North Island and while we had no intention of moving there, it doesn’t seem a bad place to have as a base. We’ll let you know how that works out!


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Here’s the motor home up Mount Ruapehu – in summer.

In the meantime we’re touring in the motorhome and exploring parts of the country we’ve not seen for decades or at all, learning how to live in an even more confined space than the boat and trying out ways to earn enough income to sustain the peripatetic lifestyle.
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So – the next few posts will be about motor home life, NZ destinations, and general observations on the pitfalls and problems of living the dream! There’ll be another book – one day.
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Blogging and the fear of failure

27/9/2016

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From April 2016

These days when you set off on a big adventure, it’s usual to write a blog so that others can follow your ups and downs and live the dream vicariously. If you do it right you can even ‘blog the book’ afterwards so your eager followers can have their own copy of the whole story. But what if you’re uncertain of how the story will pan out? It’s fine to tackle a challenge, but if the whole world is able to watch you fail, how much pressure does that add to something that’s already difficult?

About eight months ago my husband Ed and I decided on a major life change. He was feeling the chill winds of retirement approaching and we were already finding it hard to make ends meet in the lifestyle we liked. With a mortgage-free house and a ridiculously high property market, we decided to sell up and release the capital. We’d use it to have some adventures for the next decade before getting too old and infirm to enjoy them. The bucket list and the ‘one day we’ll do that’ were calling.
But first, to get top dollar, we needed to do some basic repairs to the house and update it to a modern look. The bank cheerfully lent us the recommended 10% of the house’s value for the renovations and we threw in extra for contingencies. Quite a lot extra, which proved to be a wise decision.

Ed quit his job (which he didn’t like anyway) to work full-time on the house and I assisted while fitting in my various editing projects and photography work as time allowed. We worked. My God how we worked! From August onwards we rebuilt the kitchen and laundry floors, had all the tiles ripped up and replaced, new carpet throughout, fresh paint inside and out, and transformed the backyard. We shovelled uncounted cubic metres of clay, gravel, scoria, gap 7, sand, topsoil and bark. We painted dozens of corrugated iron fence panels, and posts, battens and trellis. We wore ourselves to a nub trying to meet the agent’s suggested deadline of late October and finally, battered and broken, had to admit defeat and postpone the sale until February.
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It was then that I felt greatly relieved, not just that the immediate pressure was off, but that I hadn’t done what I originally planned and embarked on a regular blog to tell the world about our progress. We’d failed, but at least it was only in front of our friends. I hadn’t built up expectations among people who might have been less charitable than our wonderfully kind mates who’d done their best to cheer us along the way and had even come to help when they could.

We soldiered on. January arrived and the house was finally ready. We signed up with an agent from a small local company that I did a lot of photography work for, the one who’d been giving us all the helpful advice on presentation and marketing, and the house went on the market. Everyone wished us well and said ‘you’ll have no trouble selling – you’ve worked SO hard’ but failure made another unwelcome appearance as few people showed up at the open homes and interest seemed low. There were no offers, and after a month we decided to withdraw the property from the market until things picked up. Again, thankfully, no audience watched us stumble. We picked ourselves up and carried on.

Another month has passed. The house is now re-staged and immaculate, the new agent from a much bigger company is more forceful and dynamic, and we’ll finally get to auction in early May. That’s the point when life will change dramatically. That’s when we’ll leave normal life and set off into the unknown to see where our hard-earned cash will take us. That, I think, is when I’ll start my blog. We may still fail from time to time but I think I’m ready to share the adventures, both good and bad. We’ve already been inspired by several blogs of people living aboard their boats and travelling the world and it’s enticing to see things through their eyes. I’ll screw up my courage and try to bring some entertaining real-world adventures to an audience.

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The Bird

11/2/2016

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Responding to Matthew Wright's Short Story Challenge this week, here's one I prepared earlier... sorry it's a bit bleak!

I’m gazing at golden sand beside a sea of sparkling blue that cradles a chain of islands, the nearest ones warmed to a soft butter-gold under the autumn sun. I feel the heat on my skin and the rasp of sand between my toes. I listen to the quiet sighs of small waves gliding up the beach. I might swim soon to let the cool water embrace me under the open sky. Paradise.
 
Then the bird comes.
 
A black bird. A bloated bird.
 
I’ve seen this bird before. Its haunting visits suck light from the sky and leave a gloomy cast, no matter what the day was like before it came. It stands on sturdy, silent feet, watching me.

​I dread this bird.
 
Now cool wind sends shivers down my back and a foul smell drifts past. The sun is dimmer, shrouded by a veil of cloud that dulls all colour. The sand is gritty, harsh. On the islands, dull green shrubs spread across the yellow slopes like mould.
 
It’s time to go. There is no more pleasure in the day.
Just as I feared, the black bird follows when I leave.


https://mjwrightnz.wordpress.com/2016/02/09/this-weeks-short-story-challenge-10/
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December 11th, 2015

11/12/2015

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 I found this email in my in-box ta while ago, that came via my blog. Yes, my unattended, neglected blog that’s been patiently waiting for new content while I fritter away my time shovelling gravel, landscaping, painting and decorating and generally wearing myself to the bone doing up a house to sell.

I recognise the style though. That’s not my blog speaking – that’s my Canadian brother-in-law Dan. Hey bro! You make a good point and I do plan to resurrect my postings just as soon as this beknighted house goes on sale and I can take a break from the months of hard labour.

There will be plenty to post about if our plans work out so call back later to see what we’re going to get up to!

Dear Bev

This is your BLOG writing. I've missed you this past 6 months.
With winter I thought we would be together more. But I checked with your home computer and it appear you busy giving it a nice new place to sit with painted walls and a view to match.

It OK with me I live online with a view to the world.
it does get lonely when only a few visitor coming by and they are mostly family looking to see what YOUR doing.

Sorry nothing new here, please move on to Facebook

miss you
hope to chat soon

signed
Bev's Blog




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How to Pick Your Genre - Tips from Kristen Lamb

25/5/2015

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Kristen Lamb writes one of the best blogs for new writers and manages to de-mystify all the impenetrable fog of confusion that besets the novice. (Or even the mature writer!) Here she gives an overview of genre to help you decide where your story fits. Take it away, Kristen!
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 Understanding your genre will help immensely when it comes to plotting. It will also help you get an idea of the word count specific to that genre. I am going to attempt to give a very basic overview of the most popular genres. Please understand that all of these break down into subcategories, but I have provided links to help you learn more so this blog wasn’t 10,000 words long.

Mystery—often begins with the crime as the inciting incident (murder, theft, etc.), and the plot involves the protagonist uncovering the party responsible by the end. The crime has already happened and thus your goal in plotting is to drive toward the Big Boss Battle—the unveiling of the real culprit.

Mysteries have a lot more leeway to develop characters simply because, if you choose, they can be slower in pacing because the crime has already happened. Mysteries run roughly  75-100,000 words. Mysteries on the cozy side that are often in a series commonly are shorter. 60,000-ish. I'd recommend that you consult the Mystery Writers of America of more information.

Thriller/Suspense—generally involve trying to stop some bad thing from happening at the end. Thrillers have broad consequences if the protagonist fails—I.e. the terrorists will launch a nuclear weapon and destroy Washington D.C. Suspense novels have smaller/more intimate consequences. I.e. The serial killer will keep butchering young blonde co-eds. It is easy to see how thriller, suspense and mystery are kissing cousins and keep company. The key here is that there is a ticking clock and some disastrous event will happen if the protagonist fails.

So when plotting, all actions are geared to prevention of the horrible thing at the end. Thrillers can run 90-100,000 words (loosely) and sometimes a little longer. Why? Because some thrillers need to do world-building. Most of us have never been on a nuclear sub, so Tom Clancy had to recreate it for us in The Hunt for Red October (Clancy invented a sub-class of thriller known as the techno-thriller).

Pick up the pacing and you can have a Mystery-Suspense. Think Silence of the Lambs. A murder happens at the beginning, and the goal is to uncover the identity of the serial killer Buffalo Bill (mystery), but what makes this mystery-suspense is the presence of a ticking clock. Not only is the body count rising the longer Buffalo Bill remains free, but a senator’s daughter is next on Bill’s butcher block.

When plotting, there will often be a crime (murder) at the beginning, but the plot involves a rising “body count” and a perpetrator who must be stopped before an even bigger crime can occur (Big Boss Battle). These stories are plot-driven. Characters often do not have enough down-time to make sweeping inner arc changes like in a literary piece.

Pick up the pacing and raise the stakes and you have a Mystery-Thriller. Think Killing Floor by Lee Childs. The book begins with a murder of two unidentified people at a warehouse, but if the killers are not found, what the killers are trying to cover up will have global consequences. And I am not telling you what those consequences are b/c it would ruin the book :D.

When plotting, again, there is often a crime at the beginning with rising stakes, and the protagonist must stop a world-changing event from happening (Big Boss Battle). The focus of your plot will be solving the mystery and stopping the bad guy.

For more information on this genre, consult the International Thriller Writers site.

Romance—Guy and girl have to end up together in the end is the only point I will make on this. Romance is all about making the reader believe that love is good and grand and still exists in this crazy world. The hero cannot be your Big Boss Trouble Maker (read Structure Part Three if you want to know what a BBT is). Yes, the guy will likely be a scene antagonist, but that is different.

Romance, however, is very complex and I cannot do it justice in this short blurb. If you desire to write romance, I highly recommend you go to the Romance Writers of America site for more information and that you join a chapter near you immediately. This is one of the most amazing writing organizations around and a great investment in a successful romance-writing career.

Word count will depend on the type of romance you desire to write. Again, look to RWA for guidance because there are SO many categories of romance that it could make a book.

Literary Fiction is character driven. The importance is placed on the inner change, and the plot is the mechanism for driving that change. Literary fiction has more emphasis on prose, symbol and motif. The events that happen must drive an inner transformation.

Pulitzer Prize-winning book, The Road is a good example. The world has been destroyed and only a few humans have survived. The question isn’t as much whether the man and the boy will survive as much as it is about how they will survive. Will they endure with their humanity in tact? Or will they resort to being animals? Thus, the goal in The Road is less about boy and man completing their journey to the ocean, and more about how they make it. Can they carry the torch of humanity?

When plotting for the literary fiction, one needs to consider plot-points for the inner changes occurring. There need to be cross-roads of choice. One choice ends the story. The character failed to change. The other path leads closer to the end. The darkest moment is when that character faces that inner weakness at its strongest, yet triumphs.

For instance, in The Road, there are multiple times the man and boy face literally starving to death. Will they resort to cannibalism as many other have? Or will they press on and hope? Word count can vary, but you should be safe with 60-85,000 words (The Road was technically a novella).

Note: Literary fiction is not a free pass to avoid plotting. There still needs to be an overall plot problem that forces the change. People generally don't wake up one day and just decide to change. There needs to be an outside driving force, a Big Boss Troublemaker, and a tangible physical goal. Again, in The Road, the man and boy have a tangible goal of getting to the ocean.

The only difference in literary fiction and genre fiction is that plot arc is now subordinate to character arc. In commercial genre fiction the plot generally takes precedence. In Silence of the Lambs catching Buffalo Bill is top on the priority list. Character evolution is secondary. In literary fiction these two arcs reverse. The character growth and change is of primary importance and plot is merely the vehicle to get them to change.

For instance, in Joy Luck Club, June's impending trip to China is what brings the women together and what forces each of them to change the patterns of the past. The trip is irrelevant save for two purposes---1) bringing the women together to face their demons and 2) when June actually makes the trip to China to meet her mother's twin sisters (the lost babies) we know the change has occurred and the chains of the past have been loosed.

Fantasy and Science Fiction will involve some degree of world-building and extraordinary events, creatures, locations. In plotting, world-building is an essential additional step. How much world-building is necessary will depend on what sub-class of fantasy or sci-fi you’re writing. Word count will also be affected. The more world-building, the longer your book will be. Some books, especially in high-fantasy can run as long as 150,000 words and are often serialized.

In regular fantasy, we will generally have a singular protagonist. In high fantasy, the various parties each become protagonists. Think Game of Thrones or Lord of the Rings.

Consult the Science Fiction and Fantasy Writers of America for more information.

Horror—This is another genre that breaks down into many sub-classifications and runs the gambit. It can be as simple as a basic Monster in the House story where the protagonist’s main goal is SERE-Survive Evade, Rescue, and Escape. The protag has only one goal…survive. These books tend to be on the shorter side, roughly 60,000 words.

Horror, however can blend with fantasy and require all kinds of complex world-building. Clive Barker’s Hellraiser is a good example. Stephen King’s horror often relies heavily on the psychological and there is weighty focus on an inner change/arc. For instance, The Shining chronicles Jack’s descent into madness and how his family deals with his change and ultimately tries to escape the very literal Monster in the House.

Horror will most always involve a Monster in the House scenario. It is just that the definitions of “monster” and “house” are mutable. Word count is contingent upon what type of horror you are writing. Again, I recommend you consult the experts, so here is a link to the Horror Writers Association. 

Young Adult---I won't talk long about YA, since YA breaks into so many subcategories. Often YA will follow the rules of the parent genre (i.e. YA thrillers still have a ticking clock, fast pacing and high stakes just like regular thrillers). The differences, however, is that YA generally will have a younger protagonist (most often a teenager) and will address special challenges particular to a younger age group.

For instance, in Veronica Roth's Divergent, Tris is taking on a very real political battle between factions. But the plot also involves her evolving from child to adult, how she defines her identity aside from Mom and Dad and forging a new romantic relationship with Four. These are all prototypical struggles for someone in that age group.

Picking a genre is actually quite liberating. Each genre has unique guideposts and expectations, and, once you gain a clear view of these, then plotting becomes far easier and much faster. You will understand the critical elements that must be in place—ticking clock, inner arc, world-building—before you begin.

This will save loads of time not only in writing, but in revision. Think of the romance author who makes her hero the main antagonist (BBT). She will try to query, and, since she didn’t know the rules of her genre, will end up having to totally rewrite/trash her story or change the genre entirely because she actually wrote a Women's Fiction and NOT a romance.

Eventually, once you grow in your craft, you will be able to break rules and conventions. But, to break the rules we have to understand them first.
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Thanks Kristen - it's all much clearer now!
I recommend you hop over to Kristen's blog - she's just done a whole series of posts that are gold for new writers. https://warriorwriters.wordpress.com/2015/05/25/choosing-a-genre-anatomy-of-a-best-selling-story-part-7/


 

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May 18th, 2015

16/5/2015

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  'It's easy," they said, those nice people over at Indies Unlimited. (Yes, I'm talking to you Kat Brooks!) You can just post monetised links to anyone's books on your own blog and earn money when there are sales. Yeah, right.
OK, I've had a stiff coffee, my head is as clear as it's gonna be - let's DO this!
First step is to upload the cover of Vicky's book. That's easy enough.
Then I embed the code that I copied from her book via my Amazon Associates page so if anyone follows the link to her book from here and buys it, I'll get a tiny percentage of the sale. I think I've done that right but I won't know till I publish this post.
Stand by caller...
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All right - cover me, I'm going to publish this page and see if it works!
Sometimes being an indie author is a lot harder than it looks.

PS. Ok, I think I made it work! Turns out I didn't need to post the cover photo at all - the code I copied held all that info and clicking on that image took me to the right place.

So if all you lovely readers out there would click on Vicky's book and GO BUY A COPY that'd be great! I get a few cents, Vicky gets a few more, and you get a few hours of thoroughly enjoyable reading. Win-win!
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Real Characters

7/5/2015

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Sometimes as writers we create completely fictional characters for a story, other times we borrow somebody we know and use many of their genuine characteristics. Either way, the danger is to use a kind of shorthand – to make a stereotypical character so that readers recognise them quickly and we don’t have to spend a long time building them up. But flat, one-dimensional characters are boring, offering no surprises and no insights.

Take the standard Little Old Lady, for instance. She’s small, sweet, and her family think she’s not very bright. She dotes on her children and grandchildren, goes to church on Sundays, and likes to cook and sew. To most writers – and I’m including TV and movie scriptwriters here – she’s a comic figure with little to offer beyond light entertainment.

But look past that façade. She may not be educated, she may mispronounce words and mangle her language to comical effect but she’s incredibly wise. She’s had a lifetime of close observation to know how people tick so she understands why your marriage is falling apart or why your children are in trouble, and her advice is worth heeding. Yes, her religion is illogical, but her faith gives her astonishing strength to deal with any situation. Her framework of belief gives her resilience no matter what disasters occur so she can comfort you despite her own sorrow.

She’s the glue that holds together a far-flung, disparate family. She’s the shoulder to cry on, the phone call in dark hours, the one person who loves you no matter what. That Little Old Lady has depth.

I once borrowed my mother-in-law to play a minor character in one of my books, slipping her in to provide comic relief. I don’t know if she’s ever recognised herself, but I rather hope she hasn’t.

I didn’t do her justice.

(Happy Mother's day, Mom!)


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One Lovely Blog Hop

20/4/2015

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I've been challenged by Shauna Bickley to join in the Lovely Blog Hop. It’s one of those invitations that inspires both delight and apprehension at the same time. At first it’s ‘Oh wow, someone likes my blog and I’m being invited to play with the cool kids!’ There’s a giddy delight at being considered socially acceptable. But then nagging doubt sets in. ‘Wait, I’ve only done a few posts – what if I’m not the sort of interesting writer they think I am? Doing this will really blow my cover and expose me as a fraud.’ But hey, I can be brave, I can do this – besides, I can write whatever I like, can’t I? I make stuff up for a living after all.

Apparently the blog hop is intended to let you in on seven of the things in my life that have helped make me the person and writer I am. Let’s see what a positive spin I can put on the events in my life so far…

1. I learned to read very early, mostly because I grew up in my mother’s nursery school and absorbed the lessons going on around me. Taking advantage of this new skill, my mother used to keep me sitting quietly whenever necessary by placing a book in my eager little hands.

The earliest book I can remember is Orlando the Marmalade Cat, who was a firm favourite on my many trips to Staines Library.

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Incidentally I Googled Orlando to look for a photo for this piece and was diverted by the author’s obituary which makes extraordinary reading. This was my favourite line – “Kathleen Hale was part of a very English artistic tradition of mild bohemianism and modest bloodymindedness.”  What a great tradition to live up to, and what a character! She was clever and unorthodox and died at the age of 101 in 2000. I’d love to think she had an influence on me.

2. My mother inadvertently taught me to speed read by sharing Arthur Ransome’s Swallows and Amazons series. We’d read together lying on the sofa and I always galloped ahead as fast as possible to make sure she didn’t turn the page before I’d found out what happened next. That has influenced all my reading since as I prefer fast-moving adventure stories to slow, thoughtful, emotional books. It also set my preference for likeable, intelligent characters who have integrity and solve their problems with clever solutions rather than strength and violence. (Even Jack Reacher tries to use violence only as a last resort.)

3. Being an only child meant that I had plenty of time to read and it has always been my favourite activity. It used to worry me when grown-ups asked ‘what are your hobbies, Beverlie?’ It seemed so lame to say ‘reading’. Didn’t everybody read? And I never dared answer with my other real enthusiasm – climbing trees. Why didn’t I have a ‘proper’ hobby like stamp collecting or playing the piano?

4. I grew up beside the River Thames and knew every inch of my stretch of it intimately. It was a delight to discover Wind in the Willows – the first book I’d read that was in a setting I could relate to. I did plenty of travelling as my mum was an adventurous woman always keen to explore far-off places with strange-sounding names. My dad played along with good grace, erecting tents on sand dunes in the south of France or staying home to earn the money to allow us to cruise round the world. My reading ranged far and wide too with Willard Price adventures, King Solomon’s Mines, Biggles, Ngaio Marsh mysteries and Agatha Christie. I still read crime fiction for preference.

5. When I was twelve my father died, Mum sold everything and we emigrated to New Zealand. Inspired by comedic writers like Alan Coren in Punch, I wrote a few funny stories about our exploits but never tried to get them published. High school was tough for a new immigrant but life improved immeasurably when I left home to go to University.(Languages and literature) Assignments and later teacher training knocked all pleasure in reading and writing out of me for a while, then marriage and a busy lifestyle left little time for such pursuits.

6. It wasn’t until I was visiting my mother-in-law and found myself snowed in during a Canadian winter that I had time to read again – and the only books she had were Mills & Boon romance novels. I’d never read one before and it was a revelation. If something this simplistic could be published, surely I could write a book too. It lit the spark. I did a bit of research and found that romance publishers would accept unagented manuscripts so I bashed one out and sent it off. No other eyes saw it, so it was untested, unedited, un-proofed and totally amateur. I had no writerly community for help and support, and it was before the days of the internet, so I had no way of knowing what to do. Unsurprisingly it was rejected, but with an encouraging note. (Sound familiar?)

7. Now I have seven titles out there and a wonderful set of colleagues nearby that I meet regularly for critique and discussion. Others interact online from around the country and around the world, sharing information, insights, and pats on the back when deserved. I’m about to start my eighth book, and have helped to publish over a hundred titles for other writers as my new full-time job. There's a small selection of the print titles '''below. I’m immersed in the writing world up to my neck and loving it!


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The rules for this Lovely Blog Hop are that I’ve shared 7 'Lovely Facts' about myself, and provided links to other blogs that I enjoy reading. If I’ve nominated your blog (see names below at the end of post and my apologies if I've missed somebody I should have included) please don’t feel any obligation to join in but, if you do, please link back to the blog of the person who nominated you (me), share facts about yourself and nominate other blogs (as many as you can).

Vicky Adin - http://vickyadin.co.nz/blog/

Yvonne Walus - http://yewalus.blogspot.co.nz/

Z R Southcombe - http://www.zrsouthcombe.com/blog/

Melissa Bowersock - http://mjb-wordlovers.blogspot.co.nz/

Yvonne Hertzberger - http://newfantasyauthor.com/blog/

And just to balance the female bias with some testosterone…

Matthew J Wright  - https://mjwrightnz.wordpress.com/

Mike Crowl - http://mikecrowlsscribblepad.blogspot.co.nz/

(It’s OK guys, you can rename the blog heading to suit!)







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